TOuch ThE Music: Displaying live music into vibration, Arthur Paté (IEMN, France)
Reduction of Electrovibration threshold through subthreshold vibrotactile stimulation, Jagan K Balasubramanian (Indian Institute of Technology Madras, India); Rahul Kumar Ray (Indian Institute of Technology Madras, India); M Manivannan (Indian Institute of Technology Madras, India)
Phonemic-based Tactile Supplement to Lipreading: Initial Findings on Consonant Identification, Charlotte M Reed (Massachusetts Institute of Technology, US); Dimitri Kanevsky (Google Research, US); Joseph Desloge; Juan S Martinez (Purdue University, US); Hong Z Tan (Purdue University, US)
Incorporating Thermal Feedback in Cutaneous Displays: Reconciling Temporal and Spatial Disparities, Lynette Jones (Massachusetts Institute of Technology, US); Hsin-Ni Ho (Kyushu University, Japan)
The Reciprocity of Speculative and Product Design Research in an Industrial Framework, Claire Richards (IRCAM, France); Nicolas MISDARIIS (IRCAM, France); Roland Cahen (Centre de Recherche en Design ENSCI/ENS Paris-Saclay, France)
The Relationship between Frequency and Hand Region Actuated, Razvan Paisa (Aalborg University, Denmark),
Accuracy of musical pitch control through finger pushing and pulling, Hanna Järveläinen (Zurich University of the Arts, Switzerland); Stefano Papetti (Zurich University of the Arts, Switzerland); Eric Larrieux (ZHdK, Switzerland)
Designing Audio Feedback to Enhance Motion Perception in Virtual Reality, Francesco Soave (Queen Mary University of London); Nick Bryan-Kinns (Queen Mary University of London, UK); Ildar Farkhatdinov (Queen Mary University of London, UK)
Perceptual evaluation of the quantization level of a vibrotactile signal, Quentin Consigny (Sorbonne University, France); Arthur Paté (IEMN, France)
Using Audio Recordings to Characterise a Soft Haptic Joystick, Joshua P Brown (Queen Mary University of London, UK); Ildar Farkhatdinov (Queen Mary University of London, UK)
A Preliminary Proposal for Mapping Monophonic MIDI Music to Vibrotactile Stimuli Using Tactile Illusions, Byron Paul PR Remache Vinueza (Universidad de Málaga, Spain); Andrés Trujillo León (Universidad de Málaga, Spain); Maria-Alena Clim (University of Oslo, Norway); Fabian Sarmiento (Universidad Tecnológica Indoamerica); Blanca Topon (Universidad Indoamerica, Ecuador); Fernando Vidal Verdú (Universidad de Málaga, Spain)
Perception of guitar strings on a flat visuo-tactile display, Baptiste Rohou-Claquin (Institute of Intelligent Systems and Robotics, France); Malika Auvray (Institute of Intelligent Systems and Robotics, France); Jean-Loïc Le Carrou (Institut ∂’Alembert, France); David Gueorguiev (CNRS – Sorbonne Université, France)
List of accepted demonstrations (8)
The Multimodal Harness: A wearable device for audio-tactile perception of vibratory stimulation, Claire Richards (IRCAM, France); Nicolas Misdariis; Roland Cahen (Le centre de recherche en design ENSCI ENS Paris-Saclay, France)
Touch the Story: An immersive mid-air haptic experience, Anna Sheremetieva (SoftServe, UK); Ihor Romanovych (SoftServe, UK); Sam Frish (SoftServe, UK); Orestis Georgiou (Ultraleap, UK); Mykola Maksymenko (SoftServe, UK)
Textures Memories. Intermedia device. Fernando Enrique Franco Lizarazo (Universidad Distrital Francisco José de Caldas, Colombia); Daniel Pinzón Lizarazo (Universidad Distrital Francisco José de Caldas, Colombia); Gary Gari Muriel (Universidad Distrital Francisco José de Caldas, Colombia); Daniel Steven Marulanda (Universidad Distrital Francisco José de Caldas, Colombia)
Augmented Guitar for Percussive Fingerstyle, Andrea Martelloni (Queen Mary University of London, UK); Andrew McPherson (Queen Mary University of London, UK); Mathieu Barthet (Queen Mary University of London, UK)
Rhythm-based haptic interaction to support embodied literacy learning, Pierre-Valery Tchetgen (Northeastern University, US); Victor Zappi (Northeastern University, US)
A Virtual Reality Music Performance Platform, Sebastiano Zane (Imperial College London, UK)
Bimanual Haptic Interaction System, Eisa Anwar (Queen Mary University of London, UK); Joshua P Brown (Queen Mary University of London, UK); Aaron Yurkewich (Imperial College London, UK); Ildar Farkhatdinov (Queen Mary University of London, UK)
Haptic Enhanced Videos Using a High-Reality Vibration Conversion Method Available on Smartphones, Yuya Hoshi (Tohoku University, Japan); Masashi Konyo (Tohoku University, Japan); Satoshi Tadokoro (Tohoku University, Japan)
List of accepted work-in-progress submissions (6)
Development of Tactile and Auditory Perception Experiment according to Touch Event in a Virtual Reality Environment, Hong-In H Won (Korea Institute of Industrial Technology, South Korea); Byeong Hak Kim (Korea Institute of Industrial Technology, South Korea); Sebastian Merchel (TU Dresden, Germany).
The Sabotaging Piano: disrupting auditory and haptic feedback in music improvisation, Teodoro Dannemann (Queen Mary University of London, UK); Nick Bryan-Kinns (Queen Mary University of London, UK)
TorqueTuner: a Case Study for Sustainable Haptic Development, Albert-Ngabo Niyonsenga (McGill University, Canada); Christian Frisson (McGill University & Société des Arts Technologiques [SAT], Canada); Marcelo Wanderley (McGill, Canada)
DeSound: A Toolkit for Building Functional Prototypes of Digital Musical Instruments, Jianing Zheng (Queen Mary University of London, UK); Nick Bryan-Kinns (Queen Mary University of London, UK)
Frequency shifting approach for mapping auditory speech frequencies to tactile frequencies, Evagoras Xydas (IREROBOT LTD, Cyprus); Panagiotis Herodotou (IREROBOT LTD, Cyprus); Constantina Polykarpou (IREROBOT LTD, Cyprus)
Augmented reality face recognition for musical interaction, Charlotte Magnusson (Lund University, Sweden)