Everyone who wishes to attend HAID 2022 (including the workshops) has to register.
- Workshops and tutorials details can be found here.
- Keynote talks details can be found here.
- Conference venue details can be found here.
- Day 1 YouTube Livestream: https://youtu.be/eZ2nEIyFpoo
- Day 2 YouTube Livestream: https://youtu.be/Lz8RqeS4lsc
Day 1, Thursday, August 25
| 09:00 | Registration & coffee (provided), Graduate Centre Foyer | |
| 10:00 | 2 parallel sessions (1st floor, Graduate centre): Workshop 1: Designing consensual mediated social touch (room GC103) Tutorial 1: Interactive Textiles (room GC102) | |
| 12:00 | Lunch (provided), Graduate Centre Foyer | |
| 13:00 | 2 parallel sessions (1st floor Graduate centre): Workshop 2: Imagining the Role of Haptics in Future Smart Assistant Technologies (online) Tutorial 2: Bela sound processing microcontroller tutorial (room GC103) | |
| 15:00 | Coffee break, Graduate Centre Foyer | |
| 15:20 | Opening remarks, Peston Lecture Theatre | |
| 15:30 | Paper session 1: Accessibility, Peston Lecture Theatre Chair: Jeremy Marozeau [15:30] P1.1. TOuch ThE Music: Displaying Live Music into Vibration Arthur Paté, Nicolas d’Alessandro, Audrey Gréciet, Clémence Bruggeman [15:50] P1.2. Tickle Tuner – Haptic Smartphone Cover for Cochlear Implant Users’ Musical Training Francesco Ganis, Marianna Vatti, Stefania Serafin [16:10] P1.3. Phonemic-based Tactile Supplement to Lipreading: Initial Findings on Consonant Identification Charlotte M. Reed, Dimitri Kanevsky, Joseph G. Desloge, Juan S. Martinez, Hong Z. Tan | |
| 16:30 | Walk to Film & Drama Studio (FADS) | |
| 17:00 | Keynote 1: Andrew McPherson (Queen Mary University of London) Sensorimotor skill and cultural values in digital musical instrument design Chair: Charalampos Saitis FADS, 1st floor | |
| 18:00 | Welcome reception (provided), FADS, ground floor | |
| 19:00 | Music Concert by the Augmented Instruments Lab, FADS, 1st floor Concert programme available here |
Day 2, Friday, August 26
| 09:00 | Registration & coffee (provided), Graduate Centre Foyer (Demos can be set up from 08:30) |
| 09:30 | Paper session 2: Perception, Peston Lecture Theatre Chair: Hong Z. Tan [09:30] P2.1. Effect of Subthreshold Vibration On the Perception of Electrovibration Jagan K. Balasubramanian, Rahul Kumar Ray, Muniyandi Manivannan [09:50] P2.2. Incorporating Thermal Feedback in Cutaneous Displays: Reconciling Temporal and Spatial Disparities Lynette A. Jones, Hsin-Ni Ho [10:10] P2.3. The Relationship between Frequency and Hand Region Actuated Razvan Paisa, Niels Christian Nilsson, Stefania Serafin [10:30] P2.4. Perceptual Evaluation of the Quantization Level of a Vibrotactile Signal Quentin Consigny, Arthur Paté, Jean-Loïc Le Carrou |
| 10:50 | Keynote 2: Charlotte Magnusson (Lund University, Sweden) Co-designing audio haptic interactions Chair: Stefano Papetti Peston Lecture Theatre |
| 11:50 | Demo and Work in Progress teasers, Peston Lecture Theatre (1 min/1 slide per Demo/WiP) |
| 12:00 | Lunch (provided), Graduate Centre Foyer Interactive demonstrations: D1. The Multimodal Harness: A wearable device for audio-tactile perception of vibratory stimulation Claire Richards, Nicolas Misdariis, Roland Cahen D2. Touch the Story: An immersive mid-air haptic experience Anna Sheremetieva, Ihor Romanovych, Sam Frish, Orestis Georgiou, Mykola Maksymenko D3. Textures Memories. Intermedia device. Fernando Enrique Franco Lizarazo, Daniel Pinzón Lizarazo, Gary Gari Muriel, Daniel Steven Marulanda D4. Augmented Guitar for Percussive Fingerstyle Andrea Martelloni, Andrew McPherson, Mathieu Barthet D5. Rhythm-based haptic interaction to support embodied literacy learning Pierre-Valery Tchetgen, Victor Zappi D6. A Virtual Reality Music Performance Platform Sebastiano Zane D7. Bimanual Haptic Interaction System Eisa Anwar, Joshua P. Brown, Aaron Yurkewich, Ildar Farkhatdinov D8. Haptic Enhanced Videos Using a High-Reality Vibration Conversion Method Available on Smartphones Yuya Hoshi, Masashi Konyo, Satoshi Tadokoro Work-in-progress posters: W1. Changes in Audio Intensity Perception according to Touch Recognition in a Virtual Reality Environment Hong-In H. Won, Byeong Hak Kim, Sebastian Merchel W2. The Sabotaging Piano: disrupting auditory and haptic feedback in music improvisation Teodoro Dannemann, Nick Bryan-Kinns W3. TorqueTuner: a Case Study for Sustainable Haptic Development Albert-Ngabo Niyonsenga, Christian Frisson, Marcelo Wanderley W4. DeSound: A Toolkit for Building Functional Prototypes of Digital Musical Instruments Jianing Zheng, Nick Bryan-Kinns W5. Frequency shifting approach for mapping auditory speech frequencies to tactile frequencies Evagoras Xydas, Panagiotis Herodotou, Constantina Polykarpou W6. Augmented reality face recognition for musical interaction Charlotte Magnusson |
| 14:20 | Paper session 3: Musical Applications, Peston Lecture Theatre Chair: Arthur Paté [14:20] P3.1. Mapping Monophonic MIDI Tracks to Vibrotactile Stimuli Using Tactile Illusions Byron Remache-Vinueza, Andrés Trujillo-Leon, Fabián Sarmiento-Ortiz, Liliana Topon-Visarrea, Alexander Refsum Jensenius, Fernando Vidal-Verdú [14:40] P3.2. Accuracy of Musical Pitch Control Through Finger Pushing and Pulling Hanna Järveläinen, Stefano Papetti, Eric Larrieux [15:00] P3.3. Perception of Guitar Strings on a Flat Visuo-Haptic Display Baptiste Rohou–Claquin, Malika Auvray, Jean-Loïc Le Carrou, David Gueorguiev |
| 15:20 | Keynote 3: Professor Sriram Subramanian (University College London, UK) Multi-sensory displays using acoustic waves, holography and levitation Chair: Ildar Farkhatdinov Peston Lecture theatre |
| 16:20 | Coffee break (provided), Graduate Centre Foyer |
| 16:40 | Paper session 4: Design & Applications, Peston Lecture Theatre Chair: Lynette A. Jones [16:40] P4.1. The Reciprocity of Speculative and Product Design Research in an Industrial Framework Claire Richards, Nicolas Misdariis, and Roland Cahen [17:00] P4.2. Designing Audio Feedback to Enhance Motion Perception in Virtual Reality Francesco Soave, Nick Bryan-Kinns, Ildar Farkhatdinov [17:20] P4.3. Using Audio Recordings to Characterise a Soft Haptic Joystick Joshua P. Brown, Ildar Farkhatdinov |
| 17:40 | Closing remarks, Peston Lecture Theatre |
| 18:00 | Farewell reception, roof top of Graduate centre with London views |
| 19:00 | The Sabotaging Piano: a concert and experiment, Performance Lab, Engineering building, ground floor (approximately 90 minutes) Limited places available, book your free ticket here |